An Ancient Solar Celebration:
Nearly every agricultural society has marked the high point of summer in some way, shape or form. On this date – usually around June 21 or 22 (or December 21/22 in the southern hemisphere) – the sun reaches its zenith in the sky. It is the longest day of the year, and the point at which the sun seems to just hang there without moving – in fact, the word “solstice” is from the Latin word solstitium, which literally translates to “sun stands still.” The travels of the sun were marked and recorded. Stone circles such as Stonehenge were oriented to highlight the rising of the sun on the day of the summer solstice.
Traveling the Heavens:
Although few primary sources are available detailing the practices of the ancient Celts, some information can be found in the chronicles kept by early Christian monks. Some of these writings, combined with surviving folklore, indicate that Midsummer was celebrated with hilltop bonfires and that it was a time to honor the space between earth and the heavens.
Fire and Water:
In addition to the polarity between land and sky, Litha is a time to find a balance between fire and water. According to Ceisiwr Serith, in his book The Pagan Family, European traditions celebrated this time of year by setting large wheels on fire and then rolling them down a hill into a body of water. He suggests that this may be because this is when the sun is at its strongest yet also the day at which it begins to weaken. Another possibility is that the water mitigates the heat of the sun, and subordinating the sun wheel to water may prevent drought.
Saxon Traditions:
When they arrived in the British Isles, the Saxon invaders brought with them the tradition of calling the month of June Aerra Litha. They marked Midsummer with huge bonfires that celebrated the power of the sun over darkness. For people in Scandinavian countries and in the farther reaches of the Northern hemisphere, Midsummer was very important. The nearly endless hours of light in June are a happy contrast to the constant darkness found six months later in the middle of winter.
Roman Festivals :
The Romans, who had a festival for anything and everything, celebrated this time as sacred to Juno, the wife of Jupiter and goddess of women and childbirth. She is also called Juno Luna and blesses women with the privilege of menstruation. The month of June was named for her, and because Juno was the patroness of marriage, her month remains an ever-popular time for weddings. This time of year was also sacred to Vesta, goddess of the hearth. The matrons of Rome entered her temple on Midsummer and made offerings of salted meal for eight days, in hopes that she would confer her blessings upon their homes.
Midsummer for Modern Pagans:
Litha has often been a source of contention among modern Pagan and Wiccan groups, because there's always been a question about whether or not Midsummer was truly celebrated by the ancients. While there's scholarly evidence to indicate that it was indeed observed, there were suggestions made by Gerald Gardner, the founder of modern Wicca, that the solar festivals (the solstices and equinoxes) were actually added later and imported from the Middle East. Regardless of the origins, many modern Wiccans and Pagans do choose to celebrate Litha every year in June.
In some traditions, Litha is a time at which there is a battle between light and dark. The Oak King is seen as the ruler of the year between winter solstice and summer solstice, and the Holly King from summer to winter. At each solstice they battle for power, and while the Oak King may be in charge of things at the beginning of June, by the end of Midsummer he is defeated by the Holly King.
This is a time of year of brightness and warmth. Crops are growing in their fields with the heat of the sun, but may require water to keep them alive. The power of the sun at Midsummer is at its most potent, and the earth is fertile with the bounty of growing life.
For contemporary Pagans, this is a day of inner power and brightness. Find yourself a quiet spot and meditate on the darkness and the light both in the world and in your personal life. Celebrate the turning of the Wheel of the Year with fire and water, night and day, and other symbols of the opposition of light and dark.
Litha is a great time to celebrate outdoors if you have children. Take them swimming or just turn on the sprinkler to run through, and then have a bonfire or barbeque at the end of the day. Let them stay up late to say goodnight to the sun, and celebrate nightfall with sparklers, storytelling, and music. This is also an ideal Sabbat to do some love magic or celebrate a handfasting, since June is the month of marriages and family.
via http://paganwiccan.about.com
-The Crafty Witch
Friday, June 20, 2014
Wednesday, June 18, 2014
Power Animals, Totem Animals and Spirit Animals
The use of a totem animal is not part of traditional Wiccan practice. However, as Wicca and other modern Pagan practices evolve and blend together, many people who follow non-mainstream spiritual paths find themselves working with a mix of many different belief systems. Because of this, someone following a Native American or Indo-European shamanic path might find themselves working with totem animals. While totem animals or power animals have nothing to do with the Wiccan religion, some people do incorporate them into non-Wiccan shamanic practices as well as Neowiccan eclecticism.
It should be pointed out that sometimes, the use of totem animals and other Native American practices is sometimes seen as cultural appropriation when it's done by non-Native American individuals. Some European shamanic systems do connect with animal spirits, but the use of the specific word "totem" implies a Native American connection. It has a very specific, anthropological meaning, and chances are that if you have made a spiritual connection with an animal entity, it does not qualify as a true "totem." Be cautious what you call your beliefs, because you may find yourself taking ownership of a heritage that's not actually yours to claim. If you're not Native American, but are practicing some other form of shamanism, you may want to consider using the term "power animal" or even "spirit animal" instead.
A power animal is a spiritual guardian that some people connect with. However, much like other spiritual entities, there's no rule or guideline that says you must have one. If you happen to connect with an animal entity while meditating or performing astral travel, then that may be your power animal… or it may just be curious about what you're up to. Our Guide to Healing, Phylameana lila Desy, has a great piece on different types of animal totems and what they mean: Animal Totems.
Unfortunately, as often is seen in the Pagan community, many times the connection to a power animal is simply the result of wishful thinking. When someone tells you they have a spirit animal, they'll almost always tell you it's the bear, the eagle, or the wolf. Why? Because these are animals that exemplify the characteristics we'd really like to see in ourselves -- we want to be strong and formidable like Bear, independent and mysterious like Wolf, or all-seeing like Eagle. No one will every tell you their "totem animal" is the wombat, the hedgehog, or the three-toed sloth.
There are a number of books available that discuss the spiritual nature of animals. Nearly all will tell you to "choose" your spirit animal based upon which animals you want to see first at the zoo or which ones you just find really interesting. Generally, in true shamanic practice, one meets their power animal through meditation or a vision quest. Often, it's an animal you never expected to encounter. If you are fortunate enough to have this take place, do some research on the animal you've connected with, and find out why that particular creature has attached itself to you. Animals have different symbolism in different cultures and societies. Take the time to do some research, and you may end up learning something new about yourself.
via http://paganwiccan.about.com
-The Crafty Witch
It should be pointed out that sometimes, the use of totem animals and other Native American practices is sometimes seen as cultural appropriation when it's done by non-Native American individuals. Some European shamanic systems do connect with animal spirits, but the use of the specific word "totem" implies a Native American connection. It has a very specific, anthropological meaning, and chances are that if you have made a spiritual connection with an animal entity, it does not qualify as a true "totem." Be cautious what you call your beliefs, because you may find yourself taking ownership of a heritage that's not actually yours to claim. If you're not Native American, but are practicing some other form of shamanism, you may want to consider using the term "power animal" or even "spirit animal" instead.
A power animal is a spiritual guardian that some people connect with. However, much like other spiritual entities, there's no rule or guideline that says you must have one. If you happen to connect with an animal entity while meditating or performing astral travel, then that may be your power animal… or it may just be curious about what you're up to. Our Guide to Healing, Phylameana lila Desy, has a great piece on different types of animal totems and what they mean: Animal Totems.
Unfortunately, as often is seen in the Pagan community, many times the connection to a power animal is simply the result of wishful thinking. When someone tells you they have a spirit animal, they'll almost always tell you it's the bear, the eagle, or the wolf. Why? Because these are animals that exemplify the characteristics we'd really like to see in ourselves -- we want to be strong and formidable like Bear, independent and mysterious like Wolf, or all-seeing like Eagle. No one will every tell you their "totem animal" is the wombat, the hedgehog, or the three-toed sloth.
There are a number of books available that discuss the spiritual nature of animals. Nearly all will tell you to "choose" your spirit animal based upon which animals you want to see first at the zoo or which ones you just find really interesting. Generally, in true shamanic practice, one meets their power animal through meditation or a vision quest. Often, it's an animal you never expected to encounter. If you are fortunate enough to have this take place, do some research on the animal you've connected with, and find out why that particular creature has attached itself to you. Animals have different symbolism in different cultures and societies. Take the time to do some research, and you may end up learning something new about yourself.
via http://paganwiccan.about.com
-The Crafty Witch
Monday, June 16, 2014
Birthday of Wiccan author Starhawk (Tomorrow)
Starhawk is one of the most respected voices in modern earth-based spirituality. She is also well-known as a global justice activist and organizer, whose work and writings have inspired many to action. She is the author or coauthor of twelve books, including The Spiral Dance: A Rebirth of the Ancient Religion of the Great Goddess, long considered the essential text for the Neo-Pagan movement, and the now-classic ecotopian novel The Fifth Sacred Thing. Starhawk's newest book is The Empowerment Manual: A Guide for Collaborative Groups, published November 2011, from New Society Publishers.
Her works have been translated into Spanish, French, German, Danish, Dutch, Italian, Portuguese, Polish, Czech, Greek, Japanese, and Burmese. Her essays are reprinted across the world, and have been included in numerous anthologies. Starhawk's writing is influential and has been quoted by hundreds of other authors, turning up in magazines, trade and academic press, and even inspirational calendars. Her books are often found in college curriculums. The Spiral Dance has been continuously in-print for thirty years and revised twice; in 1999 HarperSanFrancisco published the Twentieth Anniversary Edition. Truth or Dare: Encounters with Power, Authority, and Mystery won the Media Alliance Meritorious Achievement Award for nonfiction in 1988. Starhawk's first novel, The Fifth Sacred Thing, won the Lambda award for best Gay and Lesbian Science Fiction in 1994. Many of Starhawk's best political essays—credited with helping the global justice movement find and define itself—were collected into her book Webs of Power: Notes from the Global Uprising. At the Book Expo America, Webs of Power won a 2003 Nautilus Award from the trade association NAPRA. Her first picture book for children, The Last Wild Witch, won a silver Nautilus from NAPRA in 2010.
Starhawk is perhaps best known as an articulate pioneer in the revival of earth-based spirituality and Goddess religion. She is a cofounder of Reclaiming, an activist branch of modern Pagan religion, and continues to work closely with the Reclaiming community (www.reclaiming.org). Her archives are maintained at the Graduate Theological Union library in Berkeley, California.
In the late '80s she consulted on and co-wrote the popular trio of films known as the Women's Spirituality series, directed by Donna Read for the National Film Board of Canada: Goddess Remembered, The Burning Times, and Full Circle. The trilogy was in the top ten of sales and rentals for the Film Board for over a decade. Starhawk and Donna Read formed their own film company, Belili Productions (http://belili.org), to make documentaries on women and the earth. Their first release is Signs Out of Time (2004), a documentary on the life of archaeologist Marija Gimbutas, the scholar who made major discoveries about the Goddess cultures of Old Europe. Starhawk and Donna’s second documentary, Permaculture: The Growing Edge, came out in 2010. Starhawk has also made several short documentaries which can be found on YouTube: "The Spiral Dance Ritual," "Reclaiming’s Spiral Dance: Three Decades of Magic," "Permaculture in the City," and "Permaculture Principles at Work."
Starhawk is a veteran of progressive movements, from anti-war to anti-nukes, and is deeply committed to bringing the techniques and creative power of spirituality to political activism.
She is a founder of Earth Activist Trainings (EAT): intensive seminars that combine permaculture design, political organizing, and earth-based spirituality (www.earthactivisttraining.org). Together with Penny Livingston-Stark, Erik Ohlsen, and others, she co-teaches EAT courses in the U.S., Canada, and Europe. With over ten years of experience in permaculture design and teaching, she has pioneered the application of permaculture principles to social organizations, policy and strategy. Since its first course in May of 2001, Earth Activist Trainings has graduated over 600 students who now shepherd projects that range from community power-down strategies in Iowa City to water catchment programs in Bolivia, from inner city gardens in San Francisco to women’s programs in the West Bank of Palestine. Starhawk’s own expertise is in the communication of ecological systems thinking through images, writing, and innovative teaching techniques.
Starhawk travels internationally teaching magic, the tools of ritual, and the skills of activism. She lives part-time San Francisco, in a collective house with her partner and friends, and part-time in a little hut in the woods in western Sonoma County, California, where she practices permaculture in her extensive gardens, and writes.
via http://www.starhawk.org/starhawk/bio.html
-The Crafty Witch
Her works have been translated into Spanish, French, German, Danish, Dutch, Italian, Portuguese, Polish, Czech, Greek, Japanese, and Burmese. Her essays are reprinted across the world, and have been included in numerous anthologies. Starhawk's writing is influential and has been quoted by hundreds of other authors, turning up in magazines, trade and academic press, and even inspirational calendars. Her books are often found in college curriculums. The Spiral Dance has been continuously in-print for thirty years and revised twice; in 1999 HarperSanFrancisco published the Twentieth Anniversary Edition. Truth or Dare: Encounters with Power, Authority, and Mystery won the Media Alliance Meritorious Achievement Award for nonfiction in 1988. Starhawk's first novel, The Fifth Sacred Thing, won the Lambda award for best Gay and Lesbian Science Fiction in 1994. Many of Starhawk's best political essays—credited with helping the global justice movement find and define itself—were collected into her book Webs of Power: Notes from the Global Uprising. At the Book Expo America, Webs of Power won a 2003 Nautilus Award from the trade association NAPRA. Her first picture book for children, The Last Wild Witch, won a silver Nautilus from NAPRA in 2010.
Starhawk is perhaps best known as an articulate pioneer in the revival of earth-based spirituality and Goddess religion. She is a cofounder of Reclaiming, an activist branch of modern Pagan religion, and continues to work closely with the Reclaiming community (www.reclaiming.org). Her archives are maintained at the Graduate Theological Union library in Berkeley, California.
In the late '80s she consulted on and co-wrote the popular trio of films known as the Women's Spirituality series, directed by Donna Read for the National Film Board of Canada: Goddess Remembered, The Burning Times, and Full Circle. The trilogy was in the top ten of sales and rentals for the Film Board for over a decade. Starhawk and Donna Read formed their own film company, Belili Productions (http://belili.org), to make documentaries on women and the earth. Their first release is Signs Out of Time (2004), a documentary on the life of archaeologist Marija Gimbutas, the scholar who made major discoveries about the Goddess cultures of Old Europe. Starhawk and Donna’s second documentary, Permaculture: The Growing Edge, came out in 2010. Starhawk has also made several short documentaries which can be found on YouTube: "The Spiral Dance Ritual," "Reclaiming’s Spiral Dance: Three Decades of Magic," "Permaculture in the City," and "Permaculture Principles at Work."
Starhawk is a veteran of progressive movements, from anti-war to anti-nukes, and is deeply committed to bringing the techniques and creative power of spirituality to political activism.
She is a founder of Earth Activist Trainings (EAT): intensive seminars that combine permaculture design, political organizing, and earth-based spirituality (www.earthactivisttraining.org). Together with Penny Livingston-Stark, Erik Ohlsen, and others, she co-teaches EAT courses in the U.S., Canada, and Europe. With over ten years of experience in permaculture design and teaching, she has pioneered the application of permaculture principles to social organizations, policy and strategy. Since its first course in May of 2001, Earth Activist Trainings has graduated over 600 students who now shepherd projects that range from community power-down strategies in Iowa City to water catchment programs in Bolivia, from inner city gardens in San Francisco to women’s programs in the West Bank of Palestine. Starhawk’s own expertise is in the communication of ecological systems thinking through images, writing, and innovative teaching techniques.
Starhawk travels internationally teaching magic, the tools of ritual, and the skills of activism. She lives part-time San Francisco, in a collective house with her partner and friends, and part-time in a little hut in the woods in western Sonoma County, California, where she practices permaculture in her extensive gardens, and writes.
via http://www.starhawk.org/starhawk/bio.html
-The Crafty Witch
Friday, June 13, 2014
Full Moon - Honey Sun Moon & Friday the 13th
Definition:
Correspondences:
Colors: Sun colors -- gold, yellow, orange
Gemstones: Topaz, agate
Trees: Oak, maple
Gods: Isis, Cerridwen, Persephone
Herbs: Parsley, mosses, skullcap, mugwort
Element: Earth
This is the month where magical workings are well suited to maintaining and enhancing things you already have. Weed your garden, prune the bushes, give your lawn all the tender loving care it needs. Take time to let your personal life blossom as well -- focus on things that improve your job or education, as well as your relationships with family and friends.
Also Known As: Lover's Moon
-The Crafty Witch
Wednesday, June 11, 2014
Hanging of Bridget Bishop, first victim in the Salem Witch Trials.
Bridget Bishop was one of nineteen people executed for witchcraft in Salem, Massachusetts, in 1692. Born some time in the 1630s, Bishop had was on her third marriage by the time the witch craze began. Bridget had one daughter, Christian Oliver, by her second husband in 1667, and married Edward Bishop, a lumber worker, in 1685.
Bridget was well-known in her neighborhood. She publicly fought with all of her husbands, dressed flamboyantly (although for Puritans, that just meant she liked to wear big hats and a red bodice with her black dress), and was the mistress not one but two taverns. She developed a reputation for entertaining into the wee hours of the night, playing forbidden games such as shuffle board, and generally being the target of much speculation and gossip. In other words, Bridget Bishop didn't seem to care what society thought of her - and because of that, she became a likely target when the accusations began. She was, in personality and reputation, the polar opposite of the pious Rebecca Nurse, although they both ended up on a scaffold.
In April, 1692, a warrant was issued for Bishop's arrest on charges of performing witchcraft and consorting with the devil himself. When she entered the courthouse, a number of the "afflicted" girls, including Mercy Lewis and Ann Putnam, howled that she was causing them pain. Bishop denied any wrongdoing, swearing that she was "innocent as the child unborn," according to Mary Norton's In the Devil's Snare.
Bishop's wild ways were used as evidence against her. Certainly the town dyer's claim that she brought him yards of lace to color was proof that she was up to something; after all, no sensible or respectable woman could need that much colored lace. In addition to this damning testimony, and the accusations of the teenage girls, Bishop's own brother-in-law swore he'd seen her "conversing with the Devil" who "came bodily into her." She was executed on June 10.
After Bishop's hanging, eighteen others were executed for the crime of witchcraft, and one man was pressed to death. Several others died in prison. Within months of Bridget Bishop's death, her husband remarried.
Bridget's descendants through Christian Oliver still live in New England today, and her tavern, the Bishop House, still stands.
-The Crafty Witch
Bridget was well-known in her neighborhood. She publicly fought with all of her husbands, dressed flamboyantly (although for Puritans, that just meant she liked to wear big hats and a red bodice with her black dress), and was the mistress not one but two taverns. She developed a reputation for entertaining into the wee hours of the night, playing forbidden games such as shuffle board, and generally being the target of much speculation and gossip. In other words, Bridget Bishop didn't seem to care what society thought of her - and because of that, she became a likely target when the accusations began. She was, in personality and reputation, the polar opposite of the pious Rebecca Nurse, although they both ended up on a scaffold.
In April, 1692, a warrant was issued for Bishop's arrest on charges of performing witchcraft and consorting with the devil himself. When she entered the courthouse, a number of the "afflicted" girls, including Mercy Lewis and Ann Putnam, howled that she was causing them pain. Bishop denied any wrongdoing, swearing that she was "innocent as the child unborn," according to Mary Norton's In the Devil's Snare.
Bishop's wild ways were used as evidence against her. Certainly the town dyer's claim that she brought him yards of lace to color was proof that she was up to something; after all, no sensible or respectable woman could need that much colored lace. In addition to this damning testimony, and the accusations of the teenage girls, Bishop's own brother-in-law swore he'd seen her "conversing with the Devil" who "came bodily into her." She was executed on June 10.
After Bishop's hanging, eighteen others were executed for the crime of witchcraft, and one man was pressed to death. Several others died in prison. Within months of Bridget Bishop's death, her husband remarried.
Bridget's descendants through Christian Oliver still live in New England today, and her tavern, the Bishop House, still stands.
-The Crafty Witch
Monday, June 9, 2014
Celtic Tree Month of Oak Begins (Tomorrow June 10)
The Oak moon falls during a time when the trees are beginning to reach their full blooming stages. The mighty Oak is strong, powerful, and typically towering over all of its neighbors. The Oak King rules over the summer months, and this tree was sacred to the Druids.
The Celts called this month Duir, which some scholars believe to mean "door", the root word of "Druid". The Oak is connected with spells for protection and strength, fertility, money and success, and good fortune.
Carry an acorn in your pocket when you go to an interview or business meeting; it will be bring you good luck. If you catch a falling Oak leaf before it hits the ground, you'll stay healthy the following year.
-The Crafty Witch
Friday, June 6, 2014
Roman Festival of Vestalia (Tomorrow June 7th - June 15th)
The Roman celebration of Vestalia was held each year in June, near the time of Litha, the summer solstice. This festival honored Vesta, the Roman goddess who guarded virginity. She was sacred to women, and alongside Juno was considered a protector of marriage.
The Vestalia was celebrated from June 7 to June 15, and was a time in which the inner sanctum of the Vestal Temple was opened for all women to visit and make offerings to the goddess. The Vestales, or Vestal Virgins, guarded a sacred flame at the temple, and swore thirty-year vows of chastity. One of the best known Vestales was Rhea Silvia, who broke her vows and conceived twins Romulus and Remus with the god Mars. It was considered a great honor to be chosen as one of the Vestales, and was a privilege reserved for young girls of patrician birth.
The worship of Vesta in celebration was a complex one. Unlike many Roman deities, she was not typically portrayed in statuary - instead, the flame of the hearth represented her at the family altar. Likewise, in a town or village, the perpetual flame stood in the stead of the goddess herself.
For the celebration of Vestalia, the Vestales made a sacred cake, using water carried in consecrated jugs from a holy spring. The water was never permitted to come into contact with the earth between the spring and the cake, which also included sacred salt and ritually prepared brine as ingredients.
The hard-baked cakes were then cut into slices and offered to Vesta. During the eight days of the Vestalia, only women were permitted to enter Vesta's temple for worship. When they arrived, they removed their shoes and made offerings to the goddess. At the end of Vestalia, the Vestales cleaned the temple from top to bottom, sweeping the floors of dust and debris, and carrying it away for disposal in the Tiber river. Ovid tells us that the last day of Vestalia -- the Ides of June -- became a holiday for people who worked with grain, such as millers and bakers. They took the day off and hung flower garlands and small loaves of bread from their millstones and shop stalls.
Today, if you'd like to honor Vesta during the time of the Vestalia, bake a cake as an offering, decorate your home with flowers, and do a ritual cleansing the week before Litha. You can do a ritual cleansing with a Litha blessing besom.
-The Crafty Witch
The Vestalia was celebrated from June 7 to June 15, and was a time in which the inner sanctum of the Vestal Temple was opened for all women to visit and make offerings to the goddess. The Vestales, or Vestal Virgins, guarded a sacred flame at the temple, and swore thirty-year vows of chastity. One of the best known Vestales was Rhea Silvia, who broke her vows and conceived twins Romulus and Remus with the god Mars. It was considered a great honor to be chosen as one of the Vestales, and was a privilege reserved for young girls of patrician birth.
The worship of Vesta in celebration was a complex one. Unlike many Roman deities, she was not typically portrayed in statuary - instead, the flame of the hearth represented her at the family altar. Likewise, in a town or village, the perpetual flame stood in the stead of the goddess herself.
For the celebration of Vestalia, the Vestales made a sacred cake, using water carried in consecrated jugs from a holy spring. The water was never permitted to come into contact with the earth between the spring and the cake, which also included sacred salt and ritually prepared brine as ingredients.
The hard-baked cakes were then cut into slices and offered to Vesta. During the eight days of the Vestalia, only women were permitted to enter Vesta's temple for worship. When they arrived, they removed their shoes and made offerings to the goddess. At the end of Vestalia, the Vestales cleaned the temple from top to bottom, sweeping the floors of dust and debris, and carrying it away for disposal in the Tiber river. Ovid tells us that the last day of Vestalia -- the Ides of June -- became a holiday for people who worked with grain, such as millers and bakers. They took the day off and hung flower garlands and small loaves of bread from their millstones and shop stalls.
Today, if you'd like to honor Vesta during the time of the Vestalia, bake a cake as an offering, decorate your home with flowers, and do a ritual cleansing the week before Litha. You can do a ritual cleansing with a Litha blessing besom.
-The Crafty Witch
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